7.08.2017

Movies: Logan

For what it is, Logan is a fine movie. Its tone sets is apart from the typical superhero blockbuster; instead it feels much more Terminator. But while the character depth is there, the development of these characters stays very much within the expected and predetermined. There is nothing new or interesting offered.

We all know Logan (aka Wolverine), or if you don't, I'm not sure why you're watching this movie. The future is here, and Logan is the last Mutant. He's got Charles X locked away and is dosing him up with stuff to keep him tame so that his powers don't go out of control. (Sort of like an old man's bladder, Charles can't always hold his powers in.) There's an albino aide named Caliban, too, helping Logan care for Charles.

Logan works as, for lack of a better current analogy, an Über Black driver. He's accosted by a Spanish woman who wants him to take her and a girl to North Dakota. She's willing to pay $50k. But of course this woman and girl are being pursued by a team of tough men because (surprise, not) the girl is actually part of a secret project to create and train mutant fighters.

As I said, it all goes as expected. Logan does it for the money, albeit reluctantly, but then finds himself caring about this girl. We go from action scene to action scene, soft moment to soft moment, until we come to the big finale fight. Shrug.

There are true moments of humor here, at least, that help elevate the otherwise somber mood.

Did I enjoy it? Yes, a bit. But I would have enjoyed it more if there'd been something a little surprising about it. As it stands, Logan is rather rote. Not for a superhero movie—it's better than most of those—but for any movie. It feels like a throwback, which makes it feel like something I've seen before. Maybe not recently, but that's beside the point.

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